{"product_id":"sony-a1-ii-mirrorless-camera","title":"Sony a1 II Mirrorless Camera","description":"\u003ch2\u003eSony A1 II Overview\u003c\/h2\u003e\n\u003cp\u003eKey Features\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e50MP Full-Frame Stacked BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eAI Tracking \u0026amp; Human Pose Estimation\u003c\/li\u003e\n\u003cli\u003e8K 30p and 4K 120p Video in 10-Bit\u003c\/li\u003e\n\u003cli\u003eUp to 30 fps Shooting with AF\/AE\u003c\/li\u003e\n\u003cli\u003ePre-Capture \u0026amp; Speed Boost Button\u003c\/li\u003e\n\u003cli\u003e8.5-Stop IBIS + Dynamic Stabilization\u003c\/li\u003e\n\u003cli\u003e9.44m-Dot EVF with 240 fps Refresh Rate\u003c\/li\u003e\n\u003cli\u003e3.2\" 2.1m-Dot 4-Axis Touchscreen LCD\u003c\/li\u003e\n\u003cli\u003e5 GHz MIMO Wi-Fi, 2.5GBASE-T Ethernet\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SD Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony a1 II\u003c\/strong\u003e is their most versatile camera yet offering the best overall mixture of speed, video capabilities, high-resolution stills, and a robust, professional-worthy body design. It pulls much of the original a1's well-rounded feature-set into an a9 III body and adds the AF and IBIS technologies introduced with the a7R V. It's a camera meant for working professionals, whether their sports, editorial, product, fashion, or advertising shooters, and it's equally appealing to landscape, portrait, wedding, and event photographers, too. And, beyond photography, it has the video tools the a1-series is known for, including 8K recording, along with useful stabilization and framing aids borrowed from the ZV class of cameras.\u003cbr\u003e\u003cbr\u003eThe a1 II brings Sony's best technology from every lineup into one all-encompassing camera body making it the do anything camera solution for professionals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUpgraded Features and Functions\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374084.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374084.jpg\" alt=\"Sony a1 II Mirrorless Camera - In Use 01\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe original a1 was a standout camera within Sony's lineup, meshing high-end photo and high-end video features within a single, powerful camera body. Version two takes this theme and runs with it, improving on a number of key features to further benefit the professional hybrid image-maker.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAI Processing Unit\u003c\/strong\u003e-The addition of this key piece of tech greatly improves autofocus, subject detection, and subject tracking accuracy, speed, and reliability. These new processing capabilities allow the camera to more accurately and intelligently recognize subjects, predict their movements, and generally retain critical focus on them as they move.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-Capture and Speed Boost Functions\u003c\/strong\u003e-These two features are dedicated to continuous burst-style shooting and make the a1 II an even better option for action photographers looking to use this camera in high-end sports, wildlife, and birding situations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.5-Stop IBIS\u003c\/strong\u003e-It's typical for cameras to have better IBIS figures with each new generation, but the a1 II adds a whopping 3 extra stops to its predecessor's performance, meaning it's possible to use the camera handheld in noticeably dimmer lighting conditions and with slower shutter speeds, opening even more shooting versatility.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Improvements\u003c\/strong\u003e-The core video specs remain the same between the generations, but the a1 II gains some asked-for features to make it even more of a video powerhouse: Dynamic Active Mode Stabilizer, Framing Stabilizer, true 24.00 frame rate, and Breathing Compensation are all welcomed additions for content creators.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOverhauled Body Design\u003c\/strong\u003e-The a1 II inherits the a9 III's body design, making it more comfortable to use, more robust in terms of weather-sealing, compatibility with the latest VG-C5 Vertical Grip, and an improved LCD and EVF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSensor and Processing Improvements\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374112.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374112.jpg\" alt=\"Portrait Example\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374111.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374111.jpg\" alt=\"Blue Jay\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.\u003c\/li\u003e\n\u003cli\u003ePre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.\u003c\/li\u003e\n\u003cli\u003eSpeed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.\u003c\/li\u003e\n\u003cli\u003eRefined 5-axis in-body image stabilization compensates for up to 8.5 stops of camera shake at the center of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.\u003c\/li\u003e\n\u003cli\u003eSame full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSmarter, Faster Autofocus and Subject Tracking\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374087.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374087.jpg\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f\/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/li\u003e\n\u003cli\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.\u003c\/li\u003e\n\u003cli\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/li\u003e\n\u003cli\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/li\u003e\n\u003cli\u003eXS and XL focus area spot sizes have been added for more subject versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAlpha's Alpha in Video Capabilities\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374086.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374086.jpg\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilization and support for a true 24.00 frame rate for a cinematic look and timecode input with optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFamiliar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.\u003c\/li\u003e\n\u003cli\u003eIncluded S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of color control the a1 II offers.\u003c\/li\u003e\n\u003cli\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode Stabilization also helps retain accurate framing while filming, especially when recording while walking or moving.\u003c\/li\u003e\n\u003cli\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePre-Capture \u0026amp; Speed Boost-Never Miss a Moment\u003c\/p\u003e\n\u003cp\u003eAlong with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-Capture\u003c\/strong\u003e: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpeed Boost\u003c\/strong\u003e: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProfessional Body Design and Connectivity\u003c\/p\u003e\n\u003cp\u003eThe a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374085.jpg\" data-cke-saved-src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374085.jpg\"\u003e\u003c\/p\u003e\n\u003cp\u003eVersatile and Durable Design\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.\u003c\/li\u003e\n\u003cli\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/li\u003e\n\u003cli\u003eUSB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/li\u003e\n\u003cli\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/li\u003e\n\u003cli\u003eDual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTru-Finder EVF and Tilting Touchscreen LCD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.\u003c\/li\u003e\n\u003cli\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.\u003c\/li\u003e\n\u003cli\u003eIntuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEnhanced Functionality and Usability\u003c\/p\u003e\n\u003cp\u003eSony has continued to improve the workflows of their professional cameras with upgraded and additional features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003c\/li\u003e\n\u003cli\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003c\/li\u003e\n\u003cli\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComposite Shooting Modes\u003c\/p\u003e\n\u003cp\u003eBy capturing multiple images and combining them in post-production, users can achieve image quality and resolutions not possible with just the core sensor technology. The a1 II offers two different options for composite shooting:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e: This unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise Reduction\u003c\/strong\u003e: This method uses multiple images to reduce the noise in an image without sacrificing sharpness and detail. By leveraging the information of several frames, users will be able to improve the legibility of details and minimize the impact of noise without the smoothing effect common with more conventional noise reduction techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSony A1 IISpecs\u003c\/h2\u003e\n\u003cp\u003eKey Specs\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSony E\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Resolution\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eActual: 50.5 Megapixel\u003cbr\u003eEffective: 50.1 Megapixel (8640 x 5760)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Sensor\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e35.9 x 24 mm (Full-Frame) Stacked CMOS\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Stabilization\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSensor-Shift, 5-Axis\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISO Sensitivity Range\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003ePhoto\u003c\/strong\u003e\u003cbr\u003e100 to 32,000 in Manual Mode (Extended: 50 to 102,400)\u003cbr\u003e100 to 12,800 in Auto Mode\u003cbr\u003e\u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e100 to 32,000 in Manual Mode\u003cbr\u003e100 to 12,800 in Auto Mode\u003c\/p\u003e\nShow More\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInternal Recording Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eH.264\/XAVC S 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/110\/120 fps [100 to 280 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.264\/XAVC S 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [60 to 200 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [16 to 100 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.264 ALL-Intra\/XAVC S-I 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94 fps [240 to 600 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94 fps [89 to 222 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.265\/XAVC HS 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [260 to 520 Mb\/s]\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/50\/59.94\/100\/120 fps [50 to 280 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.265\/XAVC HS 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [200 to 400 Mb\/s]\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/50\/59.94\/100\/120 fps [30 to 200 Mb\/s]\u003c\/p\u003e\nShow More\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExternal Recording Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003e4:2:0 8-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/29.97\/59.94 fps\u003cbr\u003e1920 x 1080p at 23.98\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080i at 50\/59.94 fps\u003cbr\u003e\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080p at 23.98\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080i at 50\/59.94 fps\u003cbr\u003e\u003cstrong\u003eRaw 16-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e4332 x 2446 at 23.98\/24.00\/29.97\/59.94 fps\u003c\/p\u003e\nShow More\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eDual Slot: CFexpress Type A \/ SD (UHS-II)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x HDMI Output\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x 1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003cbr\u003e1x 1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x USB-C Input\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x RJ45 Data Output\u003cbr\u003e1x USB-C (USB 3.2 \/ 3.1 Gen 2) Data\/Remote Input\/Output (Shared with Power Input)\u003cbr\u003e1x PC Flash Sync Output\u003cbr\u003e1x Sony Multi\/Micro-USB Remote Input\u003c\/p\u003e\nShow More\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWireless\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2.4 \/ 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDisplay Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e4-Axis Tilting Touchscreen LCD\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBattery Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 420 Shots)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eImaging\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSony E\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Resolution\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eActual: 50.5 Megapixel\u003cbr\u003eEffective: 50.1 Megapixel (8640 x 5760)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Sensor\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e35.9 x 24 mm (Full-Frame) Stacked CMOS\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Crop (35mm Equivalent)\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eCrop Factor: 1x\u003cbr\u003eAdditional Modes: 1.5x\u003cbr\u003e\u003cem\u003e*Additional Crop Occurs in Select Video Modes\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Stabilization\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSensor-Shift, 5-Axis\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCapture Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eStills \u0026amp; Video\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eExposure Control\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eShutter Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eMechanical Focal Plane Shutter and Electronic Rolling Shutter \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShutter Speed\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e1\/8000 to 30 Seconds\u003cbr\u003e\u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e1\/32000 to 30 Seconds\u003cbr\u003e1\/8000 to 1\/4 Second in Movie Mode\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBulb\/Time Mode\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eBulb Mode\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISO Sensitivity Range\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003ePhoto\u003c\/strong\u003e\u003cbr\u003e100 to 32,000 in Manual Mode (Extended: 50 to 102,400)\u003cbr\u003e100 to 12,800 in Auto Mode\u003cbr\u003e\u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e100 to 32,000 in Manual Mode\u003cbr\u003e100 to 12,800 in Auto Mode\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMetering Method\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAverage, Center-Weighted Average, Highlight Weighted, Multi, Spot\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExposure Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAperture Priority, Auto, Manual, Program, Shutter Priority\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExposure Compensation\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-5 to +5 EV (1\/3, 1\/2 EV Steps)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMetering Range\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-3 to 20 EV\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWhite Balance\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2500 to 9900K\u003cbr\u003e\u003cstrong\u003ePresets: \u003c\/strong\u003eAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eContinuous Shooting\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eUp to 30 fps at Maximum Resolution for up to 240 Frames (Raw) \/ 400 Frames (JPEG)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInterval Recording\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eYes\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSelf-Timer\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2\/5\/10-Second Delay\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eStill Image Capture\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1:1, 3:2, 4:3, 16:9\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage File Format\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eHEIF, JPEG, Raw\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBit Depth\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e14-Bit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eVideo Capture\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eInternal Recording Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eH.264\/XAVC S 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/110\/120 fps [100 to 280 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.264\/XAVC S 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [60 to 200 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [16 to 100 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.264 ALL-Intra\/XAVC S-I 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94 fps [240 to 600 Mb\/s]\u003cbr\u003e1920 x 1080 at 23.98\/25\/29.97\/50\/59.94 fps [89 to 222 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.265\/XAVC HS 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [260 to 520 Mb\/s]\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/50\/59.94\/100\/120 fps [50 to 280 Mb\/s]\u003cbr\u003e\u003cstrong\u003eH.265\/XAVC HS 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [200 to 400 Mb\/s]\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/50\/59.94\/100\/120 fps [30 to 200 Mb\/s]\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExternal Recording Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003e4:2:0 8-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003eUHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/29.97\/59.94 fps\u003cbr\u003e1920 x 1080p at 23.98\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080i at 50\/59.94 fps\u003cbr\u003e\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080p at 23.98\/29.97\/50\/59.94 fps\u003cbr\u003e1920 x 1080i at 50\/59.94 fps\u003cbr\u003e\u003cstrong\u003eRaw 16-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e4332 x 2446 at 23.98\/24.00\/29.97\/59.94 fps\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eYes\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGamma Curve\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eS Cinetone, Sony S-Log 3\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording Limit\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIP Streaming\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuilt-In Microphone\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eStereo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Recording\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2-Channel 16-Bit 48 kHz LPCM Audio\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eInterface\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eDual Slot: CFexpress Type A \/ SD (UHS-II)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x HDMI Output\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x 1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003cbr\u003e1x 1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x USB-C Input\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther I\/O\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x RJ45 Data Output\u003cbr\u003e1x USB-C (USB 3.2 \/ 3.1 Gen 2) Data\/Remote Input\/Output (Shared with Power Input)\u003cbr\u003e1x PC Flash Sync Output\u003cbr\u003e1x Sony Multi\/Micro-USB Remote Input\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWireless\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2.4 \/ 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eYes: Android \u0026amp; iOS\u003cbr\u003eApp Name: Creators' App\u003cbr\u003eFunctionality: Access Stored Files, Adjust Settings, Remote Control, View Live Feed\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGPS\u003cbr\u003e*\u003cem\u003eVia Connected Smartphone\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eMonitor\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDisplay Size\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e3.2\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eResolution\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e2,095,104 Dot\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDisplay Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e4-Axis Tilting Touchscreen LCD\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eViewfinder\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eBuilt-In Electronic (OLED)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e0.64\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eResolution\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e9,437,184 Dot\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEye Point\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e25 mm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eApprox. 0.9x\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDiopter Adjustment\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-4 to +3\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eFocus\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAuto and Manual Focus\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Mode\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eContinuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAutofocus Points\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePhase Detection: 759\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-4 to +20 EV\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eFlash\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFlash Modes\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAuto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1\/400 Second\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFlash Compensation\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDedicated Flash System\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTTL\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExternal Flash Connection\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eShoe Mount, PC Terminal\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eGeneral\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBattery Type\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 420 Shots)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShoe Mount\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x Intelligent Hot Shoe\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1x 1\/4\"-20 Female (Bottom)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eMagnesium Alloy\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOperating Conditions\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e32 to 104°F \/ 0 to 40°C \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e5.4 x 3.8 x 3.3\" \/ 136.1 x 96.9 x 82.9 mm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e23.2 oz \/ 658 g (Body Only)\u003cbr\u003e26.2 oz \/ 743 g (With Battery, Recording Media)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony Center","offers":[{"title":"Default Title","offer_id":42201758203993,"sku":"112741","price":99999000.0,"currency_code":"IDR","in_stock":true}],"url":"https:\/\/dossindo.co.id\/products\/sony-a1-ii-mirrorless-camera","provider":"Sony Center","version":"1.0","type":"link"}